<?xml version="1.0" encoding="utf-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:blogChannel="http://backend.userland.com/blogChannelModule" xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0"><channel><title><![CDATA[Show Reports - Alexander McQueen]]></title><description><![CDATA[]]></description><link>http://www.graziadaily.co.uk/showreports/weblogCategory/ly1fu8qg4jrx</link><language>en-GB</language><generator>Blog Community Powered by 21Publish</generator><lastBuildDate>Wed, 05 Oct 2011 16:01:02 +0100</lastBuildDate><atom:link href="" rel="self" type="application/rss+xml"/><item><title><![CDATA[Paris Fashion Week Spring Summer 2012 report: Alexander McQueen]]></title><description><![CDATA[In only her third collection at the helm of the Brit brand, <b>Sarah Burton</b> brought fragility and femininity to the catwalk in the spring 2012 <b>Alexander McQueen</b> show in Paris.<br /><br />

And to think what she's gone through in the last 18 months: her friend and mentor <b>Alexander McQueen</b>’s tragic death last spring, to the now iconic wedding gown crafted for <b>Kate...]]></description><link>http://www.graziadaily.co.uk/showreports/archive/2011/10/05/paris-fashion-week-spring-summer-2012-report--alexander-mcqueen.htm</link><pubDate>Wed, 05 Oct 2011 15:04:01 +0100</pubDate><guid>http://www.graziadaily.co.uk/showreports/archive/2011/10/05/paris-fashion-week-spring-summer-2012-report--alexander-mcqueen.htm</guid><category domain=""></category></item><item><title><![CDATA[PFW A/W '11 Report: Alexander McQueen]]></title><description><![CDATA[<b>Sarah Burton </b>must have known her winter collection was a triumph from the roar of the crowd as the last model left the catwalk. She appeared, taking a modest bow, looking tired but happy. What a week it’s been. What a year!This is only her second solo collection for the house founded by <b>Lee Alexander McQueen</b>. Other designers baulk at filling big shoes. But she has also had to steer...]]></description><link>http://www.graziadaily.co.uk/showreports/archive/2011/03/09/pfw-a-w-11-report--alexander-mcqueen.htm</link><pubDate>Wed, 09 Mar 2011 10:11:14 +0000</pubDate><guid>http://www.graziadaily.co.uk/showreports/archive/2011/03/09/pfw-a-w-11-report--alexander-mcqueen.htm</guid><category domain=""></category></item><item><title><![CDATA[PFW S/S '11 report - Alexander McQueen]]></title><description><![CDATA[The setting was a stark black box with a simple floor made of rough planks with moss growing out of the cracks. A far cry, certainly, from the theatrics that we have come to expect from an <b>Alexander McQueen</b> show. But this, <b>Sarah Burton</b>’s first outing as creative director, after ten years as McQueen’s right hand and head of his womenswear studio, was a wholly appropriate pause for...]]></description><link>http://www.graziadaily.co.uk/showreports/archive/2010/10/06/pfw-s-s-11-report-alexander-mcqueen.htm</link><pubDate>Wed, 06 Oct 2010 09:17:45 +0100</pubDate><guid>http://www.graziadaily.co.uk/showreports/archive/2010/10/06/pfw-s-s-11-report-alexander-mcqueen.htm</guid><category domain=""></category></item><item><title><![CDATA[McQueen’s AMAZING show!]]></title><description><![CDATA[Two huge robot-like cameras dominated the set at <b>Alex McQueen</b>’s spring/summer show, while a huge LED screen backdrop featured a film by <b>Nick Knight</b> of a naked woman's metamorphosis from human to sea creature (via handful or two of snakes!). Much hype surrounded McQueen's collaboration with SHOWstudio to live stream his show to a worldwide audience – and for the show audience, gone...]]></description><link>http://www.graziadaily.co.uk/showreports/archive/2009/10/07/mcqueen-s-amazing-show.htm</link><pubDate>Wed, 07 Oct 2009 09:32:29 +0100</pubDate><guid>http://www.graziadaily.co.uk/showreports/archive/2009/10/07/mcqueen-s-amazing-show.htm</guid><category domain=""></category></item></channel></rss>
